Tuesday

Projection(S): Presented as part of IFCO's INDIE FILMMAKER SERIES


Projection(S)

Projection(S): 
Presented as part of IFCO's INDIE FILMMAKER SERIES

TWO 16MM PROJECTION PERFORMANCES & ARTIST TALK WITH – ALEX MACKENZIE


Alex MacKenzie is an experimental film artist working primarily with analog equipment and hand processed imagery. He creates works of expanded cinema, light projection installation, and projector performance. His work has screened at the Rotterdam International Film Festival, the EXiS Experimental Film Festival in Seoul, Lightcone in Paris, Kino Arsenal in Berlin and others. Alex was the founder and curator of the Edison Electric Gallery of Moving Images, the Blinding Light!! Cinema and the Vancouver Underground Film Festival He was an artist in residence at Atelier MTK in Grenobles, France and Struts Gallery/Faucet Media in New Brunswick.

Alex co-edited Damp: Contemporary Vancouver Media Art (Anvil Press 2008), and interviewed David Rimmer for Loop, Print, Fade + Flicker: David Rimmer's Moving Images (Anvil Press 2009). Alex was recently Artist in Residence at Cineworks' Analog Film Annex in Vancouver. 


Projection(S) featured two exciting pieces by Alex MacKenzie: 

This Charming Couple - 16mm analytic performance, 6 min, 2012 A repurposed educational film. Its original message of the risks of entering marriage without fully knowing your partner is visually abstracted, rendering a moral lesson into a
shifting landscape of emulsion. Played in reverse, the couple in question slowly move apart, becoming less and less visible as the damage worsens at film's edge; and

Logbook - 16mm analytic projector performance, 25 mins, 2011
Using black and white film emulsions handmade and painted onto raw celluloid, LOGBOOK is a visual investigation and catalogue; traces of past life and moments passed, on a remote island mountain on the Pacific Northwest Coast of Canada. Filmed with a 1923 Cine-Kodak Model A--the first hand-cranked 16mm camera produced by Kodak — and presented live on a 16mm analytic projector. Frames are slowed, frozen, reversed and reprised in a study and interplay of surface and subject, where fleeting images crackle, tear and fold in on themselves to invoke the very silver nitrate of which they are made. 




















Please see below to listen to Alex MacKenzie’s post presentation artist talk and Q & A.



IFCO would like to especially thank the Ottawa Art Gallery for its generous support of Projection(s). 


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